2017.032.007 Oral History Interview with Ronald Banks, August 1, 2003

 

Ronald Banks was cast as Chao in David Henry Hwang’s 2001 Broadway-bound revival of "Flower Drum Song” at Center Theatre Group/Mark Taper Forum in Los Angeles. In addition, Banks understudied two leads, Wang Shi Yang/Sammy Fong and Chinn, for this show. In this interview, Ronald discusses his experience on “Flower Drum Song” and what it was like being a performer in New York City and Los Angeles. His interview covers such topics as the production, rehearsals, changes in the script, the impact of 9/11, Asian stereotypes, his Japanese heritage, and reflections on being an Asian American and American actor. This interview is one of a series of 18 interviews that author David Lewis Hammarstrom conducted in 2003 as part of research for his book, Flower Drum Songs: The Story of Two Musicals (2006). Please note that this interview was conducted by phone and the audio quality is extremely poor throughout.

0:31 - Production, San Diego, show, musicals, Asian stereotypes, being an understudy, problem because of the stereotypes, what it means to be an Asian American and American actor

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3:51 - During rehearsals, control over material, substantial changes to script, things changing after 9/11, not being able to rehearse after 9/11

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12:14 - Opening night, making it in New York, agent, critics unanimously liking the show, moving show to another theatre, being American, first generation Asian American, Japanese heritage, multiple generations of family

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22:10 - Being an actor, needing to be whatever ethnicity he had to be, taught to be an actor, happy to have a job, model minority, Asian American experience, powerful Asian Americans, stereotypes, what Asians have to go through, identity

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27:47 - Technical difficulties, theater in the spring, rumor about wanting to do the original version, a lot of things changing after 9/11

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29:14 - First rehearsal, being honored to be a part of the production, career to the next level despite not making it to Broadway, a lot of downtime as an understudy, being a performer

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