2017.032.002 Oral History Interview with Alvin Ing, April 15, 2003

 

Alvin Ing (1932 – 2021), a pioneer Asian American actor and singer, has performed in more productions of “Flower Drum Song” than any other actor. His audition for Rodgers and Hammerstein’s original 1958 musical production did not land him a role, however he was cast as an understudy for the character of Wang Ta in the accompanying national tour. He continued to perform in numerous subsequent productions, most recently as Uncle Chin in the updated and revised 2002 Broadway revival by playwright David Henry Hwang. In this interview, Ing recalls his experience auditioning, performing and touring. He also shares first impressions and memories of Rodgers and Hammerstein and fellow cast members, makes comparisons between the original, revival, and film versions, and discusses stereotypes, audience reception, and financial difficulties of the show.  This interview is one of a series of 18 interviews that author David Lewis Hammarstrom conducted in 2003 as part of research for his book, Flower Drum Songs: The Story of Two Musicals (2006).

0:00 - Saw New York production, rehearsals, auditioning, meeting Rodgers and Hammerstein, had auditioned for original in New York but did not get role, first impression of cast, story of unfriendly dancer, describes some cast members, racial background of cast, only two Asians, Paige O’Hara

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8:38 - Why direction may have been different from New York production, what Rodgers and Hammerstein were like, other musicals he has seen, critique of the show, Pat Suzuki, casting Japanese in Chinese role, Ed Kenney, multiracial background of cast, cast became very tight, 1998 reunion, how compared to other shows he has seen on Broadway, did he find the characters on the stage believable, his perspective on Asian stereotypes in 1958 show

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19:25 - How he enjoyed show in San Francisco, how long he was on tour, cast members did not talk about the show, Rodgers and Hammerstein did not visit, how cast felt about Rodgers and Hammerstein, assessment of other performers after Suzuki, Caucasian mimicking Asian, Jack Soo vs. Barry Black (?), comparing later cast with that of show in New York

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28:35 - Critique of the movie, not as effective because not live, Nancy Kwan vs. Pat Suzuki, discussion of father and son in movie, compared to New York show, how got cast and what he learned about the new “Flower Drum Song”

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40:05 - David Henry Hwang involved in script changes, what his personality was like, were there reservations expressed, opening and reception of show in Los Angeles, changes in show from Los Angeles to New York, reviews of Los Angeles shows vs. New York shows

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48:46 - How revival compared to 1958 show, audience reception of show, received standing ovations, demographics of audience, lots of filipinos, was it like a typical Broadway audience, why not very good business, lacking budget needed, under-promoted, losing money, opening night

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59:55 - Did he think David corrected the offensive elements in the original show, activists against it even in the 1960s, David updated script, did he introduce new stereotypes, opinion of how original would do on Broadway today, Asians would be offended

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68:53 - Going on tour, back then by train now by plane, length of stay per venue, cities on the tour, future of the two versions of “Flower Drum Song”

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